The
relationship between people and space, matter (material) and images is dynamic
and constantly changing, appearing and subsiding. Therefore, all images are
produced through moves, created by interventions from visitors and material in
the space. Simultaneously, the work as a whole forms a visual transformation of
daily-life material via interventions of time (materialized by light).
I
consider more on how these elements function as a whole, and focus more on the
process of transformation: at night, light will make a spatial arrangement out
of the photos in the narrow corridor and the construction materials in the
front space. It is all about alterations, or you can say it is a reminder, a
reminder of temporality. In a broader sense, the exhibition is also a part of
the temporal flow. When one moves out from the exhibition site, the exhibition
will be diluted, blurred, and then becomes uncertain after clashing with the
next experience or things. It may become an encounter that nothing happens. But
such changes that follow are very consistent, just like our life experience.